As a teenager, Reiniger fell in love with cinema, first with the films of Georges Méliès for their special effects, then the films of actor and director Paul Wegener, known today for The Golem (1920). In 1915, she attended a lecture by Wegener that focused on the fantastic possibilities of animation.
Reiniger eventually convinced her parents to allow her to enroll in the acting group Wegener belonged to, the Theatre of Max Reinhardt. She started making silhouette portraits of the various actors around her, and soon she was making elaborate title cards for Wegener's films, many of which featured her silhouettes.
https://www.youtube.com/watch?v=LvU55CUw5Ck&feature=player_detailpage

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